Collecting Sound in Japan’s Experimental Underground
How to catalogue and preserve tapes, files, and field recordings from Japan’s experimental underground without losing context or overstating what is known.
Japanese Electronic Music: Tape, Noise, Ambient, and the Listening Room
A critical history of Japanese electronic music through tape studios, synthesizers, noise, cassettes, ambient records, and changing playback formats.
How to Listen at Japan’s Experimental Music Festivals
A guide to reading festival programs in Japan: set order, room acoustics, improvisation, installations, practical planning and documenting what you hear.
What Silence Does in Japanese Experimental Music
How pauses, sustained tones, room sound, and recording noise shape time in Japanese experimental music—and what to listen for in sparse work.
Hearing Movement in Japanese Noise and Ambient
Listen across Merzbow, Hiroshi Yoshimura and other Japanese experimental artists through density, duration and the effects of playback space.
Hearing Resonance in Japanese Sound Art
A listening guide to resonance, feedback and vibrating objects in Japanese sound art—and how rooms, speakers and recordings change what you hear.
Listening to Japan’s Experimental Underground Across Rooms and Formats
How venues, cassettes, digital files and documentation shape the way listeners encounter Japan’s experimental underground.
DIY Electronics in Japanese Experimental Music
Contact mics, no-input mixers and circuit bending reveal how signal paths, touch and performance spaces shape Japanese experimental music.
Listening for Silence in Japanese Experimental Music
How Yoshimura, Sachiko M, Nakamura, Suzuki, and Ikeda use quiet sound, pauses, circuitry, and listening spaces in distinct ways.
How Japanese Noise Artists Shape Sound
A close listen to distortion, feedback, amplified objects and spare electronic tones in Japanese experimental music—and to what recordings cannot reveal.